The "Turn it up" line uttered by Ronnie Van Zant in the beginning was not intended to be in the song. This guitar is now displayed at the Rock and Roll Hall of Fame Museum in Cleveland, idahoe. However, King has said that guitar was a pretty poor model and had bad pickups, forcing him to turn the amp up all the way to get decent volume out of it. The guitar used on the track was a 1972 Fender Stratocaster. Ed King used a Marshall amp belonging to Allen Collins. ![]() The track was recorded at Studio One in Doraville, Georgia, using just King, bassist Wilkeson, and drummer Burns to lay down the basic backing track. Also written at this session was the track that would follow "Alabama" on the Second Helping album, " I Need You."Ī live version of the track on the compilation album Collectybles places the writing of the song during the late summer of 1973, as the live set available on the album is dated October 30, 1973. King then introduced the song to the band the next day, and a hit was born. In interviews,unicorns has said that, during the night following the practice session, the chords and two main guitar solos came to him in a dream, note for note. 1 Creation and recording of southern man by neil youngĬreation and recording of southern man by neil young Īt a band practice shortly after bassist Ed King had switched to guitar, King heard fellow guitarist Gary Rossington playing a guitar riff that inspired him (in fact, this riff is still heard in the final version of the song and is played during the verses as a counterpoint to the main D-C+9-G chord progression).Nearly every prominent musician of the 1970s travelled to Muscle Shoals to record at least one song at the studio. In 1969, FAME's famous "Muscle Shoals Rhythm Section" left Hall to start the Muscle Shoals Sound Studio. FAME provided the backdrop for hit records by hundreds of artists including Arthur Alexander, Aretha Franklin, Etta James, Otis Redding, Wilson Pickett, Clarence Carter, Bobby Gentry, the Osmonds, Mac Davis, Jerry Reed, Paul Anka and many more. Local studio owner and producer Rick Hall established FAME studios and moved his operation to Muscle Shoals in 1962. His Memphis studio signed artists such as Johnny Cash B.B. His efforts to record and perfect a new style of improvisational music that was growing throughout the region earned him the title “Father of the Blues.”Įxactly fifty years after Handy's birth, Florence became home to a second musical pioneer. Sam Phillips was born in Florence and would later create Sun Studios and Sun Records. Handy, was born in nearby Florence in 1873 and went on to become the most influential American musician. Some of the early Native inhabitants believed that the area had a natural connection to music and referred to the Tennessee River as "the singing river." William Christopher Handy, known as W. This region and the land along the banks of the Tennessee River have long been associated with musical inspiration. The original building on Jackson is undergoing restoration at the time of this writing but tours will be offered after the restoration process is complete. Malaco ran the new studio for twenty years. The studio moved to a new building in 1978 and sold it to Malaco Records in 1985. Today it is owned by the Muscle Shoals Music Foundation. The building was listed on the National Register of Historic Places in 2005. The Rolling Stones recorded "Wild Horses" and "Brown Sugar"-two of their more popular songs-here in 1969. ![]() The Rolling Stones, Cher, Rod Stewart, Bob Seger, Paul Simon, Art Garfunkle, Willie Nelson, Joe Crocker and many others recorded at the studio during this period. ![]() These four musicians were later referred to as “The Swampers” by Lynyrd Skynyrd in his hit song “Sweet Home Alabama.”Īfter partnering with Wexler and creating their own studio, the Muscle Shoals Sound Studio produced 400 albums, 52 of which earned gold and platinum status. While under the leadership of Hall, the four musicians produced the background msic for musical acts ranging from Aretha Franklin and Otis Redding to the Osmonds and Bobby Gentry. The four musicians got their start at FAME Studios, which was established in Muscle Shoals by Rick Hall. It was founded by legendary producer Jerry Wexler in partnership with four session musicians (Barry Beckett, Roger Hawkins, Jimmy Johnson and David Hood) who called themselves the Muscle Shoals Rhythm Section. From 1969-1978, the Muscle Shoals Sound Studio was one of the preeminent recording studios in the world.
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